Two weeks ago, Nuffield Southampton Theatres (NST) was the first theatre to announce its fall into administration, after the blow of the Coronavirus pandemic took its toll on the cultural community.
Adapted and directed by Liam Gifford, assisted by Rosie Peters, and produced by Holly Mitchell, this version of Twelfth Night is NST Youth Theatre's latest production; and while the script is all Shakespeare's, this is well and truly a modern-day rom-com.
Hello all. Yes, that's right, another theatre review, and this time it's a festive one; and there's a bit of a twist!
Andrew Scott seems very much the man of the moment, both on screen and on stage. Before he was the Hot Priest in Fleabag, he was the unnervingly charming-yet-sinister Moriarty in Sherlock. You may also have spotted him in Black Mirror, Pride and His Dark Materials. But enough of me listing his filmography; I'm not IMDB.
That day finally came this week when I went to see the stage adaptation of The Woman in Black at Nuffield Southampton Theatres, as a reviewer for Broadway World UK. I took my seat and settled down (with my hands almost over my eyes) ready to be thrilled and chilled.
It's been a few years since I read Khaled Hosseini's A Thousand Splendid Suns; but I remember being so incredibly moved by the story. So when the stage adaptation arrived at Nuffield Southampton Theatres at the end of its UK tour, I was very keen to see it – and, I'll admit, I had to remind myself of the plot a little beforehand too.
Directed by Michelle Smith, Silent Mind is an informative and emotional production that follows four different strangers whose paths cross at one train station, all embarking on journeys of self-discovery and change.